Jace takes a look at the first issue of The Exorcism at Buckingham Palace from writer Hannah Rose May, artist Kelsey Ramsey, colorist Heather Breckel and letterer Joe Troutman, discussing how the series builds on the ideas introduced in The Exorcism at 1600 Penn while shifting tone toward a more character-focused and atmospheric approach. The episode covers the setup involving a tragedy at sea that leaves the British royal line in crisis, the introduction of Theo as the reluctant heir to the throne, and the growing suggestion of a malevolent entity tied to the Belmont family that may be influencing his behavior. Jace also examines the pacing differences compared to the previous series, the use of horror elements alongside themes of duty, addiction and public pressure, and how the depiction of the monarchy and media attention adds a grounded layer to the supernatural story. The discussion includes thoughts on Ramsey’s textured and visceral art style, how it supports the tone of the narrative, and why the issue presents a compelling foundation for the series moving forward.

Jace and Rocky break down a busy week of DC releases in DC Spotlight for the week of March 11, 2026, discussing nine titles in detail while also touching on the surge of speculation driving more fans into comic shops and sharing thoughts on the recently released Lanterns trailer and what it could mean for the future of DC television. The episode covers Bleeding Hearts #2 from the Vertigo imprint by Dennis Camp and Stipan Morian, which continues its unique zombie story told through shifting perspectives; Morgan Hampton’s Green Lantern Corps #14 as Guy Gardner deals with the psionic entities and a mission that sends a mixed team of Lanterns into Manhunter territory while Jon Stewart confronts Parallax; Sirens: Love Hurts #2 by Tini Howard and Babs Tarr featuring the complicated dynamics between Catwoman, Poison Ivy and Black Canary; Supergirl #11 by Sophie Campbell as Kara faces the mysterious Black Flame in Kandor while Boy Thunder finally enters the story; Emperor Aquaman #15 by Jeremy Adams and John Timms where Arthur returns from the Blue in a powerful new form; Absolute Batman #18 from Scott Snyder that continues the Seventh Kingdom storyline while revealing deeper connections between Martha Wayne and the Court of Owls; Absolute Green Lantern #12 by Al Ewing which expands the strange mythology of the Absolute Universe as Hal Jordan, Jo Mullein and others face Hector Hammond and encounter Tomar-Re; Harley and Ivy: Life and Crimes #4 from Erica Henderson exploring the complicated relationship between the two Gotham antiheroes; and Action Comics #1096 by Mark Waid and Skylar Patridge kicking off the Search for Superman storyline as Superboy deals with a bizarre cause-and-effect anomaly with help from Booster Gold, Martian Manhunter and Mary Marvel. Jace and Rocky also highlight the collected editions hitting shelves this week, including Batman/Superman: World’s Finest Vol. 8, the massive Green Lantern: Sinestro Corps War Compendium, DC Finest: The Flash – The Fastest Man Alive, Catwoman: The New 52 Omnibus, Flinch: The Complete Collection and Supergirl: The Bizarro Girl, before wrapping up the show with their weekly rankings of the books discussed.

On this episode of The Comic Source, Jace welcomes returning writer Chris Condon for a conversation that begins with the launch of Brutal Dark for DC’s revived Vertigo line, including how the project evolved from earlier iterations into its current form, the pulpy crime-noir and supernatural influences behind Ezra Cain’s world, and the collaborative storytelling approach Condon shares with artist Jacob Phillips, plus a reminder to pre-order Brutal Dark #2 ahead of its March 25 release. The discussion then shifts to Image Comics’ News From the Fallout now collected in trade, looking back on the book’s creative risks, the use of back matter and design elements, the team’s celebration event, and future possibilities for additional time-period stories with Jeffrey Allan Love. Condon also talks about his time on Marvel’s Ultimate Wolverine, what it has meant to write the character, how the series evolved from its original plan, and teases what’s ahead with Ultimate Impact: Reborn arriving May 20, including the process of building new characters and exploring the Ultimate Universe’s Negative Zone, before also previewing his upcoming Darth Vader project and how he’s approaching the character’s “hammer” presence and tone. The interview also covers the newly announced Image series Of The Earth (also out May 20), an eco-horror neo-noir story co-written with Andrew and brought to life by Charlie Adlard with colors by Pip Martin and letters by Hassan Otsmane-Elhaou, before closing with reflections on fan response to Condon’s Green Arrow finale, a brief update on That Texas Blood, and where listeners can follow more behind-the-scenes work via the Condon/Phillips Patreon and newsletter.Throughout the episode, Condon shares insight into collaboration, tone, creative risk-taking, and the balance between independent and Big Two storytelling.